Given the limited finances for the trip we chose the Frontera. Unfortunately we had to go to Hove to pick it up, which meant driving passed the first pick-up which was at Portslade station, and they owner had popped out and was running half an hour late - too late to turn round and grab Y.G's sister's car.
Half an hour or so later Beefy turned up with the Frontera, we picked up the two other rappers and headed north to the M25 and London.
Because of a SATNAV being non-specific and the usual M25 traffic we arrived at The North Star an hour late, and we were greeted by the remains of the casting process. It appeared that there was originally 200 people auditioning for the part, which included opera singers, guitarists, vocalists and rappers - even though the brief clearly requested an Urban rapper.
Each rapper was given three minutes to rap accapella, then six were shortlisted for the next round, where they were played the track which was to be recorded and they had to rap an 8 line verse over a certain part. Of the three rappers we took, two (Y.G and Joavviva) made the final three. During the final round they were reduced to the top 3 - Y.G, Styler and Defí.
After some deliberation the production team revealed that they would be using all three of the remaining rappers, each would have a section of the rap to perform. The only problem was that the three parts weren't all of the same length, there were two eight bar parts and one sixteen. Styler, who was keen to push himself into alpha male position, begun his pitch for the sixteen. I say pitch but it was more of a chain of demands, which alongside super-confidence, is one of Stylers strongest traits.
Following much picture taking and interviews, we were joined by Carole, one of the finalists from Big Brother 8, who spoke to me about her plans of writing and directing films (she claimed to have written 3 the previous day!) and release a track with heavy left-wing political messages. Well, if there's money and exposure we'll be interested.
So, the final line-up was decided and they were given the date of the recording which would be on the following Sunday and would be working with producer T Green at Arcade Studios.
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